- Count View : 79
- آدرس کوتاه شده مقاله: https://bahareadab.com/article_id/1913
- کد IranDOI مقاله: IranDOI:10.irandoi.2002/bahareadab.2025 .18 .7950
Journal of the stylistic of Persian poem and prose
volume Number 18،
number In Volume 9،
،
issue Number 115
Examining the Role of Contemporary Literary Societies in the Continuation of Classical Poetry
Hassan Chakerizadeh , Mehdi Malek Sabet (Author in Charge), Yadollah Jalali Pandari
Abstract
BACKGROUND AND OBJECTIVES: The contemporary era is a period of the emergence and expansion of modern poetry and its various branches. However, traditional poetry has also progressed during this era, sometimes slowly and sometimes keeping pace with modern poetry. The existence of literary societies has been one of the factors supporting and promoting classical poetry in the contemporary period. It can be said that these societies, by preserving literary traditions, have helped ensure that classical poetry did not entirely lose its prominence during the rise of modern poetry.
Research Question: How have literary societies in the contemporary era contributed to the preservation and expansion of classical poetry?
METHODOLOGY: Research Method: In this study, using a library-based method and analyzing various sources, we have introduced several significant literary societies and described, analyzed, and examined their role in promoting traditional poetry in the contemporary era.
FINDINGS: Many literary societies have been active in the contemporary era, with factors such as the presence of numerous contemporary traditionalist poets, the recitation of works by great Persian poets, composing poetry in the same meter and rhyme, editing and publishing collections of classical poetry, teaching and analyzing the poetry of past poets in these societies, and publishing poems composed in these societies—often traditional in style—in literary magazines, all indicating the special role of these societies in the sustainability and expansion of classical poetry in the contemporary era.
CONCLUSION: Literary societies have long been institutions dedicated to promoting traditionalism in literature. From the period of the Return, where their role in turning away from the Indian style and embracing traditional styles was highly significant and central, to the contemporary era with the growing prevalence of modern poetry, these societies have consistently served as a gathering place for traditionalist poets and have always been regarded as a strong bastion for preserving traditionalism.
Keyword
ersian poetry
, literary societies
, contemporary classical poetry.
- Aarionpour, Y. (2003). From Saba to Nima (Vol. 1, 8th ed.). Tehran: Zovar, pp.13-
- 14.
- Aarionpour, Y. (2003). From Saba to Nima (Vol. 2, 8th ed.). Tehran: Zovar, pp.430-445, 451.
- Afshar, I. (1984). Literary Associations. Ayandeh, 10(12), pp.795-804.
- Afshar, I. (1986). Literary Associations in Iran. Ayandeh, 12(7-8), pp 376-384
- Ash’ar-e Bagh-e Sa’eb. (2002). Keyhan Farhangi, 191, pp.16-17.
- Association of Literary Academy. (1948). Akgar, No. 26, pp.63-70.
- Association of Literary Academy. (1949). Akgar, No. 41, pp.47-48.
- Bahar, M. T. (1918a). Our Path. Daneshkadeh, 1(1), pp.1-7.
- Bahar, M. T. (1918b). Proposal. Daneshkadeh, 1(9), pp.505-506.
- Bahar, M. T. (1947). Literary Academy Association of Iran. Nameh Farhangestan (Old), 5(1), pp.9-12.
- Bahar, M. T. (1976). Bahar and Persian Literature (Edited by M. Golban, 2nd ed.). Tehran: Ketabha-ye Jibi Co., pp.389-394.
- Dolatshah Samarqandi, D. (2003). Tazkirat al-Shu’ara (Edited by E. Brown). Tehran: Asatir, p.51.
- Firoozian, M. (2011). From Song to Thunder (Life, Critique, and Analysis of Hossein Manzavi’s Poems). Tehran: Sokhan, pp.481-516.
- Golchin Ma’ani, A. (1983). Divan-e Golchin. Tehran: Ma, pp.7-8.
- Golchin Ma’ani, A. (1994). Like a Mirror, Drown Me in Amazement. Vaqf Miras-e Javidan, 5, pp.116-121.
- Hazīn Lāhījī, M. A. (1953). History of Hazīn. Isfahan: Ta’id Bookstore, p.14.
- Homai, J. (2009). Techniques of Rhetoric and Literary Arts (28th ed.). Tehran: Nashr Homa, p.393.
- Hosseinpour Chafi, A. (2011). Contemporary Persian Poetic Trends (3rd ed.). Tehran: Amir Kabir, pp.53-54.
- Iqbal Ashtiani, A. (1999). Collected Articles of Abbas Iqbal Ashtiani (Vol. 1). Tehran: Ruzaneh, p.541.
- Imitation of Afsar’s Ghazal. (1930). Armaghan, 11(2), pp.150-153.
- Khatib Rahbar, K. (1971). Biography of Mohammad Ali Nasih, Head of the Literary Association of Iran. Vahid, 98, pp.1613-1624.
- Ki-Manesh, A. (2001). Amiri and His Position in Contemporary Literature. Daneshkadeh Adabiyat va Olum-e Ensani, 46(2-3), pp.97-110.
- Ki-Manesh, A. (2005). Literary Associations from the Beginning of Persian Poetry to 1956. Daneshkadeh Adabiyat va Olum-e Ensani, 56(4), pp.61-80.
- Literary Association of Hakim Nezami Works. (1957). Armaghan, 26(1), pp.38-45.
- Literary Association of Iran Works. (1922). Armaghan, 3(7-8), pp.304-307.
- Literary Association of Iran Works. (1928). Armaghan, 9(2-3), pp.183-184.
- Literary Association Works. (1941). Armaghan, 22(7), pp.330-335.
- Melah, H. A. (1974). National Anthem of Iran and Its Creation. Honar va Mardom, 138, pp.88-90.
- Meshkaf Kashani, A. (2007). Ghazal and Innovation/Interview. Keyhan Farhangi, 246-247, pp.5-19.
- Meyri, M. H. (2020). Collected Works of Rehi Meyri (5th ed.). Tehran: Zovar, p.72.
- Mosabeqeh Adabi. (1930). Armaghan, 11(1), pp.37-38.
- Naqvi, S. (1965). Iran-Pakistan Cultural Association. Helal, 51, pp.34-37.
- Nasih, M. A. (1994).Divan of Mohammad Ali Nasih. Tehran: Golvajeh, p.3.
- Natel Khanlari, P. (1998).Seventy Speeches (Vol. 1). Tehran: Tous, p.6.
- Rashid Yasemi, G. (1954).Poetry in the Present Era (Translated by A. Ahmadi). Yaghma, 77, pp.424-431.
- Rostami, Z. and Fallah, M. (2014).The Role of Literary Associations in the First Pahlavi Era. She’r-Pazhuhi, 6(22), pp.81-106.
- Ruhani, G. (1978). May Those Days Be Remembered. Vahid, 252-253, pp.70-72.
- Saadi Shirazi, M. (2015).Golestan-e Saadi (Edited by G. H. Yusefi, 12th ed.). Tehran: Kharazmi, p.54.
- Samani, S. (1984).Memorial of Moj (Khalil Samani). Tehran: Bamdad, pp.38-63.
- Sehili-Khansari, A. (1978). Working Method: Literary Association of Hakim Nezami. Vahid, 252-253, pp.85-86.
- Shams Langarudi, M. (2019). Poetry of the Return Period. Tehran: Negah, pp.141-147.
- Shahriar, S. M. H. (1990). Collected Poems of Shahriar (Vol. 1, 9th ed.). Tehran: Zarrin, pp.698-699.
- Solti Dehkordi, S. (1991). In the Gathering of Poets.Donyay-e Sokhan, 43, p.65.
- Spentah, S. (1986). Literary Associations of Isfahan.Ayandeh, 12(7-8), pp.385-396.
- Vahid Dastgerdi, H. (1920a).A New World Speaks with a Clear Tune. Armaghan, 1(6-7), pp.228-229.
- Vahid Dastgerdi, H. (1920b).Good News of Armaghan’s Beginning. Armaghan, 1(1), pp.1-4.
- Vahid-Nia, S. (1978).Scattered Notes on Vahid. Vahid, 252-253, pp.144-180.
- Yahaghi, M. J. (2017).Stream of Moments (16th ed.). Tehran: Jami, p.171.
- Zargani, M. (2015).Panorama of Contemporary Iranian Poetry (2nd ed., 5th print). Tehran: Sals, pp.78-79,124.
- Zarrinkoob, A. (2007).Literary Criticism (8th ed.). Tehran: Amir Kabir, pp.186-187.
- Zoka’i Beyza’i, N. (1972).Memories of the Literary Association of Hakim Nezami. Khatirat-e Vahid, 6, pp.49-50.
